Friday, January 8, 2010

Friday Films: Good-Bye To Horses

I would like to take this time to introduce another (hopefully) staple segment that I like to call Friday Films. I will attempt to review a film that I have never seen every Friday, this being my first one. They will be based on a very simple A, B, C, D, or F rubric that I laboriously pick out of a hat. And it begins with a mixed bag:

Rating: C+
File Under: Lackluster Sequel with a Great Supporting Cast

I love Kevin Smith, I love Jay and Silent Bob, I love Clerks, and I love gross jokes. This movie had all of those, but unfortunately it just didn't do it for me. I felt like the whole time the characters were trying to pedal a cliche message by thinly veiling it with potty humor. There are only so many times I can watch Jay do the Buffalo Bill Dance from Silence Of The Lambs without any sort of substance underneath the jokes. I understand that it is a sequel and sequels never live up to their predecessor, but I frankly expect much more out of Kevin Smith.
Many people insist that Quentin Tarantino is the master of colloquial dialog, but I strongly disagree. I think that Kevin Smith's writing much more accurately portrays average human life, but if that is the case, why is he wasting his time writing crap like this movie. I understand Dante and Randall are terrible employees, we established that in Clerks. It gets really stale when 75% of the jokes in the film are about the one fact that we are already familiar with. Even if he had just filled dead space with more of Jay and Silent Bob I would have been fine with that.
All together the movie feels rushed and phony, like the writer/director felt the audience needed closure for these characters, and he was going to do it in the most mundane and predictable way ever. In the View Askew-niverse things never go normally and for the movie to end on a high and happy note that everyone saw coming from miles away, it feels like a cheap and sad send off for this portion of Kevin Smith's career.
All bad words aside, it was entertaining to watch once, although I doubt I would watch it again, it was nice to see Jason Mewes and Kevin Smith take up their classic roles for one last go, and watching someone dance to "Goodbye to Horses" is always insanely funny. Watch it once, chuckle to yourself, laugh out loud once or twice, and then just watch the original Clerks. Its funny enough for the both of them.

It Tickles My Innards


Much to my delight the Pepsi Co. has re-re-released Mountain Dew Throwback. The magic of this edition is that it is flavored with real sugar instead of laboratory synthesized sugars. The United States soft drink companies insist on using that garbage to sweeten drinks while all other countries use real cane sugar to do it.
Mountain Dew first debuted in the 1940's as MOUNTAIN DEW, the formula was developed by Barney and Ally Hartman and is now the fourth most popular Soft Drink in the United States. Unfortunately the amusing and whimsical logos were removed and the name was changed to read MTN DEW. The Hillybilly logo did not appeal to the sense of rugged and manly adventure that the brand was gearing towards marketing to. This limited edition run has brought back the classic Images as well as the flavor that won the hearts of American consumers.
Seeing as I have been a serious Mountain Dew fan for a few years now and drank it in the US and in Africa (where they still use cane sugar and glass bottles), I can safely say there is a marked difference in the taste of the fake sugars versus the real ones. The throwback Mountain Dew is an opportunity for soda drinkers to have a tiny taste of nostalgia and it displays American advertising before it was in vogue to streamline and be sleek. I personally love the Throwback and would never go back to regular MTN DEW if I had the choice.


This release of Throwback also has been extended to Pepsi Throwback and Dr. Pepper Heritage, give them a taste and let me know what you think of them.

The First Roll of Color

Finally it has arrived. My first roll of color shots. Not too much to say about them except that i love them all. Including the pinhole shot of my bed room, and the flares because of poor rolling exposure.
Here they are:

Bedroom (pinhole shot)

New Year's Eve Full Moon (pinhole shot)

Christmas Tree


Stuffed French Toast at IHOP

Local Bowling Alley


Wednesday, January 6, 2010

Horchata on Broken Glass


Here's the link to the Vampire Weekend song Horchata that shamelessly rips off Annie Lennox. Just incase you wanted to hear it. You can listen to is on GrooveShark.

Sorry for the boring post.


Wednesday Wrap Up: Looking Psychotic in a Balaclava

This is the debut of Wednesday Wrap Up. Every Wednesday* I will review one new album that was released the day before. I'll give my good with my bad and it'll be up to you to listen to the albums and decide for yourself. The albums will be graded on a carefully devised system. A good album is a DIAMOND, a decent album is a TREAT and a terrible album is a TURD. We begin this segment with a total disappointment:

My Rating: TURD
File Under: Overproduced Indie Nightmare
#Title
1."Horchata"
2."White Sky"
3."Holiday"
4."California English"
5."Taxi Cab"
6."Run"
7."Cousins"
8."Giving Up the Gun"

9."Diplomat's Son"
10."I Think Ur a Contra"


I am going to be honest, I don't like Vampire Weekend. I haven't ever liked Vampire Weekend. Even their name is a turn off to me. What is a Vampire Weekend? and why does it play such pretentious music? But, despite my already present loathing, I thought that i would give these indie darlings a shot. Maybe they had grown up, maybe they were done aping on other people's work, maybe they were suddenly original. I was wrong in all of my assumptions. When Ottoman came out on Nick and Norah's Infinite Playlist, I had hope. My hopes have been shattered, where is the Ottoman on this album?
Right off the bat this album opens up with the band stealing the chorus melody from Annie Lennox. Straight down to the pizzicato symphony strings, and Maribma driven grooves. So, strike one straight out of the gate. Now, I am not saying that this CD is un-listen-able, but the lack of originality, or even effort is crippling. Every other song lifts guitar tones from Paul Simon's Graceland.
Dear Vampire Weekend,
I understand that you are trying to have an Afro-pop infused indie band but that does not give you permission to blatantly rip Paul Simon off. Homage and thievery are two different things. Although you seem to be under the impression that it is cool or artistic to be a clone of your forefathers in the genre, it is not. Playing on the ignorance of the hipster market does not make you avant-garde, it just makes you a boring and unpleasant blemish upon the ears of people with enough sense to understand that this band is just trying to fake their way through celebrity.
Love,
Antonio M. Silva

Oh and the thing I said about it not being um-listen-able? Its a lie. The first 5 songs have been tailored and altered enough for them to come out as appearing enjoyable, but after those it is a cluster of noises that are grating on the nerves and damaging to the psyche. All in all this CD is terrible, it lacks a real direction, it has been too edited to appear to be interesting but conveniently radio ready. The only good words I have for this album are the song Giving Up the Gun is completely enjoyable. Its not Ottoman but it is a straight forward and uncharacteristically "rock" song.
So for my first Wednesday Wrap Up I give you Contra: A CD that just should have quit.
*not promising every wednesday.

I Want To Interview Bloggers


I like blogs. They are interesting and everyone can have one, but we don't necessarily learn who a blogger is or what they are trying to achieve just by what they post on a page. I would like to periodically get behind the scenes with bloggers and look at who the man or woman behind the website is.
If you are a blogger and might be interested in sharing a little bit about yourself, please feel free to contact me, or just drop a comment down in the comments zone. I can't promise that I will get back to you right away, but if you have a blog and I like what I see, you can bet that I will eventually reply.
For those of you without blogs, WHAT ARE YOU DOING?! Why don't you have a blog yet? There are providers all over the internet that have free domains for you to just login and type away. This blog is run through BLOG SPOT. It doesn't cost me anything and I get to think outloud on the interweb.

"BUT I DON"T HAVE ANYTHING TO SAY!!!" Yes you do. What about all those thoughts you have throughout the day that you are wondering, postulating, mulling over, or just swimming through? Wouldn't it be nice to get those out? Wouldn't it be nice for someone to come across your blog and see that they are having the exact same thought as someone else? I think it would, infact I know how awesome it is to blog. I have started one, two, three of them.
image belongs to blogger.com

Tuesday, January 5, 2010

Post Birthday Party

Today I have actually discovered that Manchester Orchestra are playing at The Great American Music Hall. "What day?" you may ask. And I may answer...

The day after my birthday, Manchester Orchestra, Biffy Clyro and O' Brother will be in San Francisco tearing up GAMH. If I am to attend this incredibly fortunately timed event, it will be my third M.O. concert, and second Biffy Clyro.

For those of you not in the SF area. The rest of Manchester Orchestra's headlining tour schedule is as follows:
Mar 13Seattle, WA The Showbox @ The Market

THIS WILL NOT BE A CONCERT TO MISS



Manchester Orchestra- My Friend Marcus (Acoustic on Spin.com)
Poto found @ ManchesterOrchestra.com

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